100 Days to Seduce the Devil - Chapter 815 Confrontation with Vincent

On the day of the wedding, Feng Xi Er laid on top of the ‘Ghost king’, eager to take off his wedding robe. He squinted his eyes, flipped over and switched their positions. He held her dishonest hand and said, coldly, “Miss is so eager to get on This Prince? Are you so desperate?” Feng Xi Er was just desperate to prove something, and once again reached out to take off his mask. The Ghost King smiled evilly, grabbed Feng Xi Er’s wrist and began to remove her robe and say: “Since Miss wants it, This Prince shall satisfy you…”

- Description from Novelupdates

Because her appearance was not breathtaking, the Emperor breaks off their engagement and bestows her instead to the bloodthirsty, ruthless, and cold-blooded Second Prince (Wang Ye).

On her wedding night comes endless humiliation, the genuine Princess Consort becoming a deserted women. A foolish woman before rebirth, she no longer expects his love. In this world, she must possess enough talent to awe those around her, carrying herself with composure and articulating with beautiful diction, override above the nine night.

- Description from Novelupdates

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.