Dimensional Codex System: I'm really not a cultist! - Chapter 67 - 66: Come Out, My Miss Angel!

In the celestial empire, during the ninth year of the Mandate of Heaven,Chaos reigns across the land, and the people suffer.The royal governance collapses, and western barbarians with their pantheon of gods invade.New warlords arise, claiming territories; the Taiping rebels wreak havoc, leading to widespread misery.Calamities like floods, droughts, earthquakes, sandstorms, tornadoes, acid rain, blood moons, and meteor falls occur in succession.Countless demons roam, strange beings thrive, spirits mingle with the inexplicable, and mysterious phenomena arise.In these dark and tumultuous times, Tao Qian opens his eyes to find himself about to be beheaded at the vegetable market...

Is magic really a wish machine?

No! In a universe where magic actually exists, the ultimate nature of magic must be as simple and beautiful as the laws of physics.

This is the story of a mass-produced magic warfare tool man who learned the ultimate nature of magic.

But so what?

Just as a bird can fly without understanding aerodynamics, so a wizard does not need to understand the ultimate nature of magic to use magic.

Knowing the ultimate nature of magic does not mean that the tool man can become a great magician.

But the desire for knowledge is human instinct, and curiosity is the first driving force of human civilization. Humans hope to understand the inner workings of magic, even if it is supposed to be unreasonable.

An inquiry into the ultimate nature of magic, without any justification!

The story in the book takes place in an age where steel dances with gunpowder.

Here, muskets are in the ascendant, armor is still the protagonist, military theories are changing with each passing day, and innovations in systems and craftsmanship are emerging one after another. And this world has one more thing than ours: magic.

The world is undergoing earth-shaking changes, and no one can stay out of it.

- Description from novelbuddy

The world is changing, natural disasters are coming, and the whole people will travel through the doomsday game!

Scary beasts, wild swamps, weird ruins, dangers are everywhere!

Human beings can only rely on shelters to survive and accept rounds of natural disasters!

- Description from novelbuddy

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.