Divine Artifact in a Scientific World - Chapter 29: Mall (2)

Reborn into a fantasy world of magic and aura, Rowan is the second son of a ranch family living boringly in a backwater village, with no magic and no inheritance.To avoid rotting away in the countryside, he becomes a mercenary instead. Better to die fighting than waste away.After his first kill, the Black Dream awakens: a power that lets him plunder abilities from everything he defeats.But it's more than that. When he fights alongside others, their techniques become his: a master archer's deadly precision, a hunter's supernatural tracking, an assassin's shadow-step…Every ally becomes his arsenal.Ascension awaits! From the lowly dirt to the throne of the gods.

Fate, a gatekeeper who had been working for the castle, is beset by a few burdens.

Greed, envy, anger, gluttony, lust, sloth, prideThe 'Black Book' records seven sources of sin, which are also seven steps to ascend to godhoodOnce, I thought there would always be one sin suitable for meBut I never expectedEvery volume of the twelve military letters bears my name!

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.