Genesis Maker: The Indian Marvel (Rewrite) - Chapter 44: : The Inheritance

[I was reincarnated as an F-class Hunter.

…it’s a problem because they don’t treat me that way.]

The new book “Fierce Farm Wife: Husband, I Have Medicine” has been released, welcome to dive into the new world~ Transmigrated as a bride bought for just One Tael of Silver, and ugly and foolish too! Just married, and the man broke his leg, could this be the legendary transmigration welfare? Damn it, already unlucky enough, and now there are even more problems with dreadful relatives! Qiao Duo'er slammed the table and stood up to drive away all kinds of demons and monsters, and hence her fierce reputation spread far and wide! Thankfully, the man is devoted, gentle, and considerate, not to mention handsome, strong, and with good stamina, cough cough, so she reluctantly agreed to farm and earn money to feed the buns, embarking on a blissful life! Also recommending buddy novels “Top Class Farm Girl” and “Fierce Wife on Top: Husband, the Flirting Never Ends”~~

As a cultivator, Lan Tian never expected she'd been hurled back to the 1970s countryside!Suddenly stripped of her powers, she's surrounded by mud - brick houses and farmland. Facing farming to social quirks with no modern conveniences, she relies on her cultivator's wisdom and resilience.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.