I Am Carrying Gold From the Post-Apocalyptic World - Chapter 21 – Seek trouble at the door

She was the Eldest Legitimate Daughter of the General's Mansion, treacherously harmed and died a miserable death. Perhaps moved by pity, heaven granted her rebirth. She returned to four years earlier, not only possessing heterochromia that allowed her to see what others couldn't but also equipped with a portable space. She vowed to make those who hurt her and her mother pay in this life.He was a Prince with a Different Surname from Moli Country, holding military power and commanding awe in all directions. It was said that he had conquered most of Moli Country, and even The Emperor showed him deference. Legend had it he was a bloodthirsty prince who killed without blinking an eye.One day, she encountered a ragged but handsome man on the street, who chased after her, shouting, “My wife, my wife.”The woman said, “Damn it, who is your wife? Aunt isn’t even engaged yet! Go where it’s cool and stay there.”The man responded, “You are my wife, and I've decided to follow you for life.”“A feel-good story, both leads are strong, a pampering love story with 1v1 romance.”

Growth cheats? Infinite magic power? The ability to utilize all archetypes? What’s the point if instant death ends everything with a single attack?

High school senior Yogiri Takatou was on a school field trip when he woke up to a dragon assaulting his sightseeing bus, with the only ones still on the bus being him and his female classmate, the panicking Tomochika Dannoura. Apparently the rest of his classmates had been given special powers by Sion, a woman who introduced herself as Sage, and escaped from the dragon, leaving those that hadn’t received any special powers behind as dragon bait.

And so Yogiri was thrown into a parallel universe full of danger, with no idea of what just happened. Likewise, Sion had no way of knowing just what kind of being she had summoned to her world.

Vincent van Gogh, the painter who refused to be an accessory Of power and painted with his soul at the tip of a brush, was not understood by anyone and had to die like a madman, and he woke up in 21st century Korea.

Like a wheat field melted with gold, like a sunflower that swallowed the sun, a dazzling painter once again takes the brush.

Fear breaks the boundaries between dreams and reality, and it is impossible to tell which is reality and which is illusory. When the nightmare really comes, no one can be alone.

This is both a danger and an opportunity.

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