I Can Give Talents - Chapter 61 – New Adventure

One rule: Survive. Everything else is optional.Reika Kagetsu doesn’t want to be a hero. She just wants to feel—pain, fear, adrenaline—anything to remind her she’s still alive.Tenshiko Academy promised her that.What she got instead? Brutal training. No rest. No second chances. And monsters—inside and out.Now she’s fighting the Shikiban: creatures born from blood, madness, and buried secrets. But the deeper she goes, the more she begins to wonder...What if she’s one of them?Power always comes with a price. And Reika is about to pay it in full.

Note: This is a translation but I will try to make it a good translation as possible. This is R18 which contains graphics scenes. You have been warned about it.NO NTR, NO YURI, HAREM, MILFIn the rustic heart of a sleepy village, Long Gen, a seemingly dim-witted wanderer, hides a cunning mind beneath his foolish facade. Nicknamed “Dragon Root” for his irresistible charm, he masterfully plays the fool to win the hearts and desires of the village's women. From the yearning widow at her doorstep to the curious sister-in-law peering through her window, no beauty escapes his allure. As Long Gen roams the vibrant fields and tangled forests, he weaves a tapestry of seduction and mischief, leaving a trail of whispered scandals and smitten hearts.

The MC (Minato) is a college student who died in a plane crash and was reincarnated in a fantasy world. He was raised alone in the wilderness by his succubus mother, and now he tries to make his way as an adventurer.

Poisoned by his wife, betrayed by his best friend, and abandoned by his children—Matthew died broken and alone. But when he wakes up thirty years in the past, trapped in his eighteen-year-old body, everything changes.Now, the halls feel haunted, memories from a future that may never come keep popping into his head, and something strange is growing inside him—something he can’t explain. Sadly, this second chance isn’t a blessing. It comes with a price.But this time, he won’t be the victim. This time, he’s the one in control.