Instant Death - Volume 5, Chapter 11 I managed to do it with fascination.

“In the depths of eternity, where darkness and light entwined, the universe was born from the dreams of the gods. From the celestial harmonies of creation to the discordant melodies of destruction, the cosmic symphony echoed across the expanse.Within this grand tapestry, a world emerged, forged from the essence of duality. Earth, a terrestrial haven, became the stage for an epic drama, as forces of creation and destruction converged. The fate of the universe hung in the balance, as two goddesses, Stella and Khaos, wove a narrative of light and darkness, life and death.Their story, a testament to the eternal dance between opposites, would give rise to a new era, one where humanity would inherit the earth, and the delicate balance of the cosmos. Join us on a journey through the ages, as we explore the celestial ballet, the birth of life, and the eternal struggle between creation and destruction.”

The mid-level boss of my company’s AAA-game.

Dale Mitchell, your average guy in a below-average job. But, what happens to him is anything but average. After hitting someone in his truck, his world was turned upside down, inside out, and more than fifty shades of grey.

Now, he seems to be something called a World Keeper, and must create and manage his own world. Is this his afterlife, or something else entirely?

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.