Itai no wa Iya nanode Bōgyo-Ryoku ni Kyokufuri Shitai to Omoimasu - Chapter 35

In the Holy Grail War, who holds the artifact and beats everything?

Gilgamesh! It’s yellow hair! It’s yellow hair!

In the face of catastrophe, who can stand up and save the world?

Kurosaki Ichigo! Uzumaki Naruto! It’s yellow hair! It’s yellow hair! It’s yellow hair!

In front of the heroine, who can counterattack, the bull-headed protagonist?

It’s yellow hair! It’s yellow hair!

Who is Huangmao?

I am Huangmao!

- Description from novelbuddy

When Sang Xia bumps into her ex-boyfriend, he says furiously, “Sang Xia, there are so many women in the world. Call me a dog if I still like you!”

She turns around without any hesitation and suddenly, he barks from behind her.

The whole world knows how crazily in love Rong Zhan is with Sang Xia.

Someone asks, “Master Zhan, how does Sister-in-law deserve your love so shamelessly?”

Rong Zhan answers lazily, “Just that one reason…?”

He stares at a certain woman and laughs suddenly.

She’s left speechless. F*ck, does this man have any shame?

This is an interesting and fun story of an all-powerful gangster boss shamelessly pursing his wife.

What if I told you, right now, everything you know about what happens after death is a lie?

What if I told you that there is no afterlife after death, just an endless cycle of reincarnation after wiping your memory?

What if I told you that there is a way out of the cycle of reincarnation and all you have to do is wear a religious artifact, and if you die with it on, you are given the opportunity to reincarnate into a world of your choice while keeping your memories?

Would you take it...or would you continue with the mundane cycle that has gone on since the beginning of time?

This is a story about two brothers, one is a responsible police officer, the other a heartless weeb, who died during WW3 and are offered the opportunity to reincarnate into another world as brothers once more.

Upon their death, they are summoned to a mysterious Realm named the Hall of Gods, where they obtain a Game-like System from the Raven God Odin and The God of Light Yahweh.

Once the system, named The Over-Break System, is installed into their souls, the brothers are Reincarnated into a massive, ever-expanding, technologically advanced fantasy world called Vinestra, as newborn babies with the names, Cynrik and Brance Jetlensr.

But, in Vinestra, things aren't as they seem. Several types of Spatial Tears called “Egresses” frequently open up to an unknown dimension where monsters who drop items when killed spawn.

Cynrik and Brance, under the watchful eye of their respective Deities, learn how to utilize their new system, to become powerful existences who wield Mana like their plaything. But are they in control of their lives, or are the Deities?

((THIS STORY IS WRITTEN IN A VERY SPECIFIC WESTERN FORMAT, WHERE CERTAIN CHARACTERS WILL BE HIGHLIGHTED IN CERTAIN WAYS MORE THAN OTHERS! AT ITS CORE THIS STORY DOES HAVE 2 MAIN CHARACTERS EVEN IF EARLY ON IT DOES NOT SEEM THAT WAY!))

What do the words Third-Rate Villain mean?

Doesn't every human being possess their own background story?

Just because a game hadn't explored one's background story, does it mean those characters are irrelevant?

In a world where video games come to life, Astron Natusalune is introduced as a seemingly insignificant character—a third-rate villain with a minor role. However, this ordinary facade belies a haunting past that has shaped Astron into the vengeful soul he has become.

Someone who would do everything for his vengeance.

What will occur if Astron's soul combines with one from Earth? Will he relinquish his position as a third-rate villain, or will he forge a new path?

Driven by a singular purpose—to avenge his sister's tragic death and bring justice to a cruel world—Astron embarks on a transformative journey.

Witness the journey of the Astron as the young boy experiences a profound shift in his own values as he witnesses firsthand the consequences of unchecked vengeance and the true complexities of morality.

……………………………………………………………

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