Killing Dao Fruit - Chapter 52 - 50 Shocked by the "Killing Banquet

200 years after the world has ended, the laws of society have long been forgotten.

I’m a high school student who became an author after debuting at Dengeki Bunko. After taking a year of hiatus from school to write my work, I transferred out to another high school to study, and met a girl called Eri Nitadori in school, a rookie voice actress cast as a character in the anime adaptation of my work.

In school, we treat our professions as a secret. However, Nitadori’s very popular in class, and I’m a loner…the only chance we get to talk to each other is when we take the Limited Express train together every Thursday, seated side by side as we head off for an anime, After Recording.

To improve her skills, she asked me questions regarding the profession. While I was answering the questions regarding the process–how did it end up like this.

This is what I last remembered before I lost consciousness, and the story of my near-death experience.

There are a lot of things wrong with Liv Brodbeck. She’s too small, for one thing. When she works in the castle kitchens with her mother, she can’t carry a sack of flour or roll a keg of ale. Baron Summerset’s chirurgeon says that she has brittle bones, so she isn’t allowed to wrestle or sword fight with the other children. Even sledding downhill in the winter brings the risk of breaking an arm or a leg if she falls. Everyone says that she ruined her mother’s life when she was born. Not when they think Liv is in the room, of course, but she overhears all the same. In the kitchen of a less kind lord, a cook bearing a bastard child would have been more than cause enough for both of them to be out on the street. No, a child like Liv doesn’t have much hope. But when she accidentally unleashes a surge of wild magic, she takes her first step on a journey which will lead her from the kitchens of Castle Whitehill, to the cold palaces of the Eld, and beyond, to the graves of gods... What to Expect: - MC starts off very weak, with a lot disadvantages - not just physically weak, but also vulnerable in a socio-economic sense. She has talents, but it is going to take time to develop them. I want to give this process room to breathe, so I hope you enjoy long-term progression. - The MC begins the story as a child. As she grows up, she will have relationships that I intend to be appropriate for her stages of life, BUT THERE WILL BE NO SEXUAL RELATIONSHIPS UNTIL SHE IS AN ADULT. Expect eventual teenage drama progressing into more adult relationships. - There is action, but it is not constant action, and it will again be appropriate for the MCs development. As a child, she will be challenged by child things, and as she grows into power the scale of threats will increase.

WARN:

SLIGHT ROMANCE!! NO HAREM!! FAMILY GENRE!!

Filled with political intrigue, warfare, adventure, friendship, and betrayal.

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Synopsis:

I transmigrated into a novel that I read years ago as the second Prince of the Chrono Empire and was fated to be killed by my half-brother, the First Prince at the age of 12.

So, What's my role in this novel?

Am I the villain?

Am I an insignificant extra?

Am I the protagonist? Nah, definitely not.

But, why bother?

Following the novel's plot isn't my style and I won't let it dictates my life.

Regardless of my role, I am the main character of my own life.