Magic-Smithing - Chapter 116.3

Draco had risen to the top of the world through his exploits in the legendary FIVR game, Boundless.

“Only by enduring 2¹⁴ trials can one awaken the ancient power sleeping within the Key of the Star Prison, and become the most powerful being in the universe.”Timothy, the youngest Demon Lord in the history of his race, saw these words emerge after he touched the Key of the Star Prison, the most powerful artifact of the demon race, handed to him just before the old Demon Lord's death.According to the demon race's records, no Demon Lord had ever achieved this.However, over a span of a hundred thousand years, Timothy had easily passed 16,383 trials.Now, once again, he turned the Key of the Star Prison, and an unknown force mistakenly sent him to a brand new world, transforming him into an unknown and seemingly worthless demonic cultivator disciple.And the formidable opponent he was about to face in this world was the powerful Goddess Sylvia.When Goddess Sylvia received the challenge Timothy handed her, her cheeks flushed...“My dear Sylvia, I want you to know how deeply I love you. My heart belongs to you, now and forever.”

After causing a tech disaster in the real world, genius shut-in Rin Katsuro is sentenced by the gods and banished to Ereborn—a realm ruled by chaos, where ancient scripts control magic and dungeons feed on trauma.He wakes up in the body of a legendary war criminal—the Demon King's General—and is mistaken for the adoptive father of a demon princess.Armed with unstable “Error Magic” that lets him rewrite reality like code, Rin doesn’t want to be a hero... but when angels declare war on the demon races, and his daughter calls him “Papa,” he might just rewrite fate itself.This is the story of a broken man with nothing left to live for—until an entire world starts calling him Dad, Demon, and Destiny.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.