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... ng that the other party was just relying on luck to pull out the sword. Life is a dream, but that's all.

The will-o'-the-wisp persevered, scattered and reunited, and quickly formed a heavy pressure, approaching the sword screen.

On the other end, several pairs of eyes flickered in the dark jungle, surrounding and approaching them from all directions.

Those are fox spirits, and it is impossible to count how many there are.

It's not that Sun Wuxia has never seen mountai ...

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Li Zifu’s bad friend Yang Dejin made a prophecy, and the two of them both traveled through time and became the cannon fodder of two villains in a novel about the heroine.
Li Zichou looked at his dazzlingly bright dragon robe: …Yang Dejin, what an open mouth!
Yang Dejin dressed as Prince Yu disguised as a man to hide his identity: Zifu, have you also time-traveled? great!
Li Zichou took a deep breath: …not very good.
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Of the four, none of them were reopened.
Later…
Li Zichou frowned: Don’t you think there is something wrong with the way Xie Zhi looks at you?
Yang Dejin also frowned: Impossible! I only like girls! I think Bai Qingyang is still interested in you!
Li Zifu beat the case: Impossible! Bai Qingyang is a straight girl!
Yang Dejin also took the case: Then I’m pure lesbian too!
Bai Qingyang: .
Xie Zhi:.
The desire to survive is full of Li Zishou × rebirth heroine Bai Qingyang
Born to Love Playing the Bookboy Yang Dejin × Disguising as a Man Backtracker Xie Zhirui
Some Happy Full Crew Reopening Literature
This article is also known as “Survival of the Villain’s Cannon Fodder”, “The History of the Dasheng Palace”, “The Package of Things About My Transmigration/Rebirth/Retrospect”
—————Manual dividing line—————
VERY IMPORTANT VIEWING GUIDE:
1. The background is empty, and the dynasty cannot be tested
2. There are too many private settings, some refer to Wikipedia
3. The writing style is limited, so you can leave it at will
4. The plot is the main focus, and the emotion is the supplement
5. Qingshui Wen, who tells stories seriously
6. In terms of personal pronouns, when other characters face a character who conceals their gender, the insider uses “she” and the uninformed uses “he”, including dialogue and psychological activities. (Cold knowledge: “he” can be used to refer generally)

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