MTL - High Above - Chapter 13 knight

I opened my eyes to find myself in another world. For some odd reason, I ended up as a sword. Before my eyes laid a plain full of magic beasts, and so, I launched my body and flew in search of a partner, a wielder (females only).

After being expelled, the ace soldier Chen Feng returns to the city and inexplicably becomes the fiancé of a cold and aloof campus belle.His life as an extraordinary figure begins by stepping on arrogant second-generation heirs and embracing the goddess campus belle.

Ezekiel died on Earth only to be resurrected in the body of a Lich

Well, now he’d done it. He was only playing the villain to blow off steam, now he was stuck in the body of one.

Trapped in a hostile world, Zeke must flee his former guild. The problem is, he can only flee into a holy kingdom ruled by the Church of Olattee. Out of the frying pan and into the fire.

Only his power is gone, and he must start over.

Well…. Mostly anyway, he is still a lich after all and he still has his weapon, Mercy, which is more powerful than even he knows.

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After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.