MTL - I’m Always the Villain - Chapter 56 Campus Heartthrob Crematorium 13

One day, Fang Jueyu was called into the study by his parents.Fang Father: “Son, you've turned 20 this year, and it's time to tell you some things!”Fang Jueyu: “What is it? You're not going to suddenly tell me you're a wealthy man, are you?”Fang Father is surprised: “You already know?”Fang Jueyu: “What? Really? I was just saying that.”Fang Father: “However, that's not the point. Today, I am going to pass on our family's heirloom that has been handed down from generation to generation to you!”From then on, Fang Jueyu's life underwent a dramatic change.What? You want to talk to me about antiques and calligraphy paintings? Do you want Wang Xizhi's calligraphy or Zheng Banqiao's paintings? Oh, right, Van Gogh even gifted my great-great-great-grandfather a painting!Why, you ask? Because it was my ancestors who funded their education!You want to talk to me about sports cars? Are you talking about Lamborghini, Ferrari, or the Bugatti Veyron? I hold shares in those companies, and I'm even the largest shareholder!What? Your family owns a mine? Sorry, but many of the gold and diamond mines in Africa are ours too!

A Mature Lady: You have a house?

At the beginning, he acquired a piece of land worth billions, but Su Ming used it to cultivate crops!Row after row of cucumbers, plant after plant of chili peppers, shoot after shoot of bamboo shoots… …Everyone couldn’t understand: “Having a billion-dollar land and using it for farming? Su Ming, what’s wrong with you?”Yet, Su Ming just smiled mysteriously.Do you really think, naively, that the cucumbers I grow are just ordinary cucumbers?The joy I find in farming is something you can never imagine!

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.