MTL - Lord of the World: I Became a Zombie - Chapter 41 sound arrow

In her third year living in this steampunk world, Ciel gained the ability to simulate both the past and the future.These simulations turned into a game where she could act without restraint, and after countless trials, real life became a replica she could navigate as though speedrunning it.Churches, potions, mutations, the Old Gods, witches, sealed artifacts… none of these have anything to do with Ciel. She’s just an ordinary girl who wishes for a peaceful life.She just happens to be particularly skilled at snuffing out danger before it even begins.

Kael Veyne was betrayed, hunted, and left for dead in the depths of the Abyssal Dungeon.As an infamous assassin, he was the empire’s deadliest shadow—until the day his guild turned on him.Ambushed in the Abyssal Dungeon, his body was torn apart, and his soul was consumed by the abyss. But death was not the end.He reincarnates 25,000 years later with the Devouring Bloodline System. Kael awakens in the body of a noble scion sharing a similar name to him, and his very essence fused with eldritch power.With every kill, he absorbs primal energy, evolving into something far beyond human. Monsters, mages, mancers, knights, assassins—nothing is beyond his reach.

Michael, an ordinary and average guy, suddenly finds himself in a dangerous fantasy cultivation world after being randomly chosen in a multiversal lottery. Armed with a wish system that may taunt him some times, grants him one wish every week, Michael has to survive in this harsh world of cultivators, monsters, and mysterious powers. However, the system has strict rules—he can’t wish for direct power.However average Michael was, he loved his family on Earth and that's why his main goal is to return to Earth. To do that, he must climb to the highest realm of cultivation, all while avoiding greedy enemies and dangerous beasts. With each wish, Michael gets closer to his goal, but the challenges only grow tougher as the world around him becomes more dangerous.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.