MTL - Master of Science and Technology - v2 Chapter 1296 : I do n’t know if I will be reimbursed

Shao Xuan joins a friend in his expedition to a recently discovered archaeological cave. After he picks up an ordinary looking stone he is teleported to a different world and wakes up in the body of a small orphan child. The world he is in now is still in its stone age with primitive tools made of stone and the ways of the people are savage. Savage isn’t the only thing special about the people though, because they have superhuman strength, jump higher than trees and punch stones. In short, they are able to cultivate their bodies. Despite all this, it is a real struggle to survive because of the scarcity of food. Together with Caesar, his pet wolf, he tries to survive in this cruel world.

Could you survive a horror movie?That's the question Riley must answer after he and his friends get lured to Carousel, a malevolent town where horror movies come to life.Riley thinks he is in big trouble when he is assigned the Film Buff archetype, a minor support class that has a penchant for dying early in movies. At first resigned to his fate to die over and over, he believes he has found a way to survive. Upon obtaining the Oblivious Bystander trope, monsters and killers will not harm him as long as he can convincingly pretend he has not noticed them. At first, this ability appears to be a joke, but Riley thinks that with some clever exploitation, it might just be his greatest strength.What to expect:-Strategic gameplay and clever uses of movie tropes to survive-Perilous storylines right from your favorite horror movies-Creative Twists of Classic Horror Movie tropes-Moderate stats-based combat and strategy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.