MTL - Protect Our Patriarch - v6 Chapter 81 Obtain the Holy Artifact Haotian Eye! Be strong

Ruigen’s late Ming Dynasty + the semi-overhead history and officialdom of the Red House are absolutely delicious!

The second year of Yonglong of the Great Zhou Dynasty. The hidden worries of the prosperous age.

The four kings and eight princes are blooming with brocade flowers, and civil servants and military generals are cooking oil with fire.

There are civil and military parties in the north and south endlessly fighting each other, and outside there are captives and tigers on the nine borders of the sea.

This is the best of times and the worst of times.

The key lies in how you grasp it when you are in it.

Be brave and diligent, volunteer tirelessly, let’s see how I can fix the wind and turn the sky!

Historic officialdom has cultivated literature, brothers please support more.

Ruigan’s hardcore book friend group: 581470234

- Description from novelbuddy

I was a genius in the Earthen Plane.

This year, Ji Jingqiu is 16 years old.To survive, he envisions the Fire House Buddha Prison, plants a bodhi treasure tree, and embarks on the path of martial arts.Many years later,A brilliant light arises, illuminating endless darkness.A towering ancient tree, with emerald green leaves and a canopy like a pavilion, rises with glass-like clarity into the sky, supporting a divine realm of pure land, spanning countless ages, illuminating the three realms and ten directions.On this day,All martial artists under heaven look up to it, like mayflies seeing the blue sky.......“Within there is a bodhi tree, which I planted when I set foot in martial arts, and now it has grown to provide a canopy.”“I see everything in the world, and nothing is like me.”“That year, I scoured history books, this history without era, I looked horizontally and vertically, and saw those characters – ‘The world’s storms come from us.’”...— Excerpt from the autobiography of Ji Jingqiu, the proud sun of the martial arts world of today.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.