MTL - Rebirth of the Great Entertainment Empire - Chapter 24 shameless

Immortal arts, magic weapons, magical powers, and the boundless spiritual qi between heaven and earth vanished into obscurity overnight, and all exorcists turned to mere mortals. Three hundred years later, the Five Hus traversed the pass, it was a prelude to an era of great turmoil in China. They heralded the end of the world, where thousands of drought fiends stalked the night —— the collapse of the Divine Land is imminent. Fortunately, within this long, dark night where silence had fallen on all magic, a lone star still glistened brightly on the horizon. The Heart Lamp appeared, illuminating the vast expanse around it. A sixteen-year-old young man, who will end his life on his twentieth birthday, embarked on a journey to reclaim the spiritual qi of heaven and earth that had been sealed away —— only four years remain. The road ahead was filled with countless thistles and thorns, and it seemed improbable for him to succeed. ———— Chen Xing: “The important thing is that I’m the last exorcist in this world, yet the only magic I am capable of is emitting light. What can I do?” Wait patiently then. When the Dinghai Pearl reappears on earth, the uncertain trajectory of everyone’s fates will be completely disrupted before converging once more. Chen Xing: “Could I be partnered with a more normal Protector Martial God?” Isn’t your Protector really skilled in fighting? Chen Xing: “He is good at fighting, but when he loses it he’ll hit even me……” There’s nothing that can be done about that, you can only blame yourself for losing yourself to lust.

In a world where Classes, Stats, and Levels are the everyday norm, Reivyn has a secret.He was unusually aware of his surroundings from an incredibly early age, and Skills and Stats were acquired easily. He was just the son of an ordinary village family, and nothing appeared out of the ordinary on the surface. But below the surface, dreams of another life help shape his mentality and growth. Why does he have some remembrance of a past life, and what is his purpose in this new one?“Soul of the Warrior” is what I call a Semi-Isekai LitRPG. I say “semi,” because Reivyn's past life is remembered like a dream, and very incomplete. It is still Isekai, though, as he remembers enough that it directly shapes his personality and his sense of self.The System that governs the world of “Soul of the Warrior” is a combination of modified versions from Selkie's “Beneath the Dragoneye Moons” and Kosnik4's “Magic Smithing.” I have changed enough of these Systems and combined them in a way that is unique that I'm mostly sure it's fine, but I still have requested permission to use these ideas. They have both graciously granted me permission.Winner of the April Writathon Challenge.

June 15 of the year 2010, the third awakening happened. Several smaller worlds had returned to connect with the main world as living beings of different races started to appear and some people managed to connect with the origin and gain control of various powers: control of fire, of water, of wind, of air, and of earth... In the midst of all these confusions, towers that gave unimaginable powers began to appear in all corners of the world, where those who already had powers could upgrade and become more powerful or even those who did not have powers could receive powers through tests of the tower. And because of these towers, conflicts started to happen in all corners of the world by those wanting to monopolize these towers.

Luan Dimas was betrayed by one of the people he trusted most. However, in his final moments before being killed, he was transported back to four months before the third awakening that started the apocalypse on earth. Being a man who lived for a thousand years and had accumulated several techniques, he now had a new chance to correct some of his early mistakes. Luan decided to make the most of this new chance that the heavens had given to him.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.