My Attractiveness Only Affects Divine Beasts - Chapter 465 - The Shocking Changes in the Dungeon

[I traveled through time and entered the Taoist holy land Tianshi Mansion to practice. 】

Lei Jun: “This is a good start.”

[Late in getting started, late in practicing, mediocre in abilities, and slow in cultivation. 】

Lei Jun: “This is a bit bad.”

[Seeking good luck and avoiding bad luck, luck predicts the future, and choices determine life. 】

Lei Jun: “My golden finger is very powerful.”

[Top sign: …to get a fifth-grade opportunity, move secretly, and have no worries, good luck. 】

Lei Jun: “This is good, are there any others?”

[Lower sign: … Before you get any harvest, you will encounter a big disaster, you will be in a dangerous situation, and the casualties will be unpredictable. It is fierce. 】

Lei Jun: “Very good, I choose to sign.”

From now on, the benefits will not be lost, and the troubles will not come to you.

Life is in a simple mode, and you can watch others’ thrilling clouds rise and fall indifferently.

- Description from novelbuddy

This is the story of a person who transmigrated into a world with a radically different worldview.

Mortal cultivation, resurgence.

Time and space shuttle, reversal of reincarnation.
Jinxian Taiyi, Da Luo Daozu.
Three thousand avenues, the law of supreme.

“Faculty of Immortal Immortal” is a fairy tale, a story of Han Lizhen’s fairyland, a legend of a mortal kid who cultivates immortals.

- Description from Ptwxz translation

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.