My Girlfriend is an S-Class Adventurer - Chapter 294 Burden Of A Nation

Ye Qiu transmigrated to a world of barren wastelands. He obtained the 10,000 Fold Return System.

Chen Qizhao was reborn and returned to the age of 18 when he was still the wicked little overlord of the Chen family.

At this time, his brother hadn’t experienced a car accident while his parents were in good health and weren’t seriously ill. The Chen family was still the prosperous Chen family and everyone thought he was a good-for-nothing who was useless and easily taken advantage of.

“He only knows how to quarrel with his older brother every day. He is arrogant and willful!”

“He looks good, but unfortunately, he is an idiot.”

“Isn’t he a useless person? Just serve him well.”

“It is a pity about that child of the Chen family.”

There were the group of scoundrel friends who were full of thoughts, the rats eyeing him covetously and the old, cunning people who were secretly scheming.

Chen Qizhao put on a mask of arrogance again. ‘Do you like acting so much? Why don’t we act together?’

It wasn’t until later that everyone discovered that at the end of the play, they would either go bankrupt or be imprisoned.

- Description from Novelupdates

What? He’s transmigrated into an apocalyptic novel?

What? He transmigrated into a white lotus?

What? The white lotus killed the main character shou (bottom, uke) and even proudly became a mistress?

Oh, luckily the white lotus in the apocalypse has a thick thigh to hold on to (someone to rely on).

What? This was actually an apocalyptic rebirth revenge story?

What? The thick thigh was actually a really big cannon fodder?

Therefore, this is the dramatic story of a man who transformed into a white lotus struggling to survive in an apocalyptic rebirth revenge novel, trying to avoid the reborn pig’s foot (the original main character), and trying his best to get away from the cannon fodder gong (top, seme).

- Description from Novelupdates

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.