Rebirth of The Golden Marriage - Chapter 77

Sato Yu is a 12-year-old boy. He is a deprived person. His life is depriving. His step father has a large amount of debt.

“Sect Leader, your disciple has once again become the champion of this year’s Regional Sect Competition!” Chu Yuan: “Kick! Kick him out of the sect!” “Sect Leader, we can’t kick anyone out of the sect anymore! Those that were kicked out in the past have all established their own Holy Lands! If we continue kicking people out of our sect, all the Holy Lands in the region will be ours...” Chu Yuan: “???” I just want to groom a useless disciple! Why are all of you doing this to me!?

Various monsters came out from mysterious gates that appeared all over the world. Along with this incident, humans also gained power and were called hunters.

Radmilo Laiv is a hunter with the power to control time. He spent his life serving the world government and becoming a hero. However, he was killed because his power was considered a threat to the government.

It was a stroke of luck that Radmilo could return to the past because of his powers. In this life, he doesn’t want to be a hero anymore. Should he play the evil role and become a villain?

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.