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... e suggests, emphasizes the profound emotional experiences of the actor, merging the actor’s inner self with the character. Stanislavsky’s ‘The Actor’s Self-cultivation’ exemplifies this school. The Method School involves the actor using their body and expressions to convey the character’s inner world, requiring consistency in portrayal both onstage and offstage. Marlon Brando is a famous representative of this approach. The Performance School, on the other hand, is about distinctly separating on ...

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