The World after the Fall - Chapter 169 - Rupture (4)

200 years after the world has ended, the laws of society have long been forgotten.

Lin Qian once thought the man she wanted would be handsome and formidable, able to “create clouds with one turn of the hand and rain with another turn” in the business world, causing her to look up to him in admiration. There would be nothing he could not accomplish.

Chu Qing transmigrates to a world where women hold all the power. In this matriarchal society, men are judged solely on their looks, while women are expected to provide for their families. Men are only considered eligible for marriage if they have good virtues, while women must possess a house and a car to be considered desirable. Even worse, women who are financially supported by men are accused of being freeloaders, and some women are known to prey on younger men.

As the “school belle,” Chu Qing is frustrated by these rigid social norms. He believes that a man’s true worth comes from inner strength and character, not just physical appearance. With his ability to cultivate immortality, he sets out to prove that men can be powerful and valuable in their own right, challenging the status quo in this matriarchal society!

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George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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