The Years of Apocalypse - A Time Loop Progression Fantasy - Chapter 70 - Limits

In Academy City, magic and science coexist in an unwavering power struggle. Toma Kamijo, an academically-challenged student in Academy City, wields the power of the Imagine Breaker in his right hand, which allows him to completely negate all supernatural powers – as well as his own luck. When he happens upon a mysterious nun named Index, whose mind has been implanted with the Index Librorum Prohibitorum – 103,000 ancient texts banned by the Church – Toma’s luck is about to be pushed to its limits when he finds himself in the middle of a war he never expected!

Satou Shiki a Japan present-day university student suddenly one day he got attacked by a slasher when he open his eyes he was already transferred to another world’s labyrinth city. In that another world he who was awakened to do a lot of “things”.

When Li Shen’s second personality acts out, her consciousness is sent to a strange place called Split Zone No.13. She is then informed that she can only return home after unraveling the truth.

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.