Transmigration: The Evil Mother-In-Law Is Actually Innocent! - Chapter 364 Filial Piety_1

struggle for dominance, where power rules above all.But you are no chosen hero. As the third son of a Viscount, you hold no influence—just another noble without purpose. Your knowledge of technology and strategy? Worthless here.Then, everything changes.The cards from your favorite strategy game—the very ones you built and mastered—are now real. No longer digital symbols, but an army you can summon at will. In this ruthless world, where the weak are crushed and the strong dictate fate, this power is your key to survival.You refuse to be a victim. Armed with an army beyond imagination, you will carve your own destiny. Not just to survive—but to conquer.“Soldiers, attack!”..........Note: If you have any questions or comments, feel free to share them!

Ruigen’s late Ming Dynasty + the semi-overhead history and officialdom of the Red House are absolutely delicious!

The second year of Yonglong of the Great Zhou Dynasty. The hidden worries of the prosperous age.

The four kings and eight princes are blooming with brocade flowers, and civil servants and military generals are cooking oil with fire.

There are civil and military parties in the north and south endlessly fighting each other, and outside there are captives and tigers on the nine borders of the sea.

This is the best of times and the worst of times.

The key lies in how you grasp it when you are in it.

Be brave and diligent, volunteer tirelessly, let’s see how I can fix the wind and turn the sky!

Historic officialdom has cultivated literature, brothers please support more.

Ruigan’s hardcore book friend group: 581470234

- Description from novelbuddy

Lancelot Haier came from a dynasty of politicians who had ruled with tyranny and oppression. Despite those origins, he despised his family and was willing to help the citizens who had long suffered under their rule.However—before he even had the chance to change his country, the people revolted. His entire family was executed, and he was killed along with them. In his final moments, he wished for a second life—one where he could redeem himself and carry the sins of his bloodline.Unexpectedly, that wish was granted.He was reincarnated into another world as the crown prince of the Kingdom of Aragon. But in this world, everything felt backward.The country was ruled by an absolute monarch. Feudalism was the norm. Technology resembled that of the late 1700s.Fortunately, in his past life, he had earned degrees in both mechanical engineering and political science—knowledge he once hoped to use to reform his homeland. Now, it seemed he would use them here instead.He would use his modern knowledge to transform the lives of his people, industrialize his territory, gain the upper hand in technology, and form alliances with foreign nations—all while navigating the treacherous waters of internal affairs and politics.P.SWhile Reincarnated as the Crown Prince draws inspiration from historical settings, political systems, and technologies of the late 17th and early 18th centuries, this work is entirely fictional.All characters, governments, names, and events—although some may resemble real-world history—are products of the author’s imagination or are used in a fictionalized, altered form for narrative purposes.This novel is not a historical account. It should not be interpreted as a factual representation of any real monarch, nation, revolution, or political figure.Lancelot Haier, his backstory, and the alternate version of different kingdoms portrayed here are entirely original creations. The inclusion of familiar concepts like feudalism, industrialization, and political reform serves the plot and world-building, not historical documentation.Readers seeking accuracy in history are encouraged to consult verified academic sources. This story is a creative work meant for entertainment, character development, and speculative exploration of “what-if” scenarios rooted in alternate history.Thank you for reading, and I hope you will enjoy the journey.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.