I am the Entertainment Tycoon-Chapter 934: Woodwright’s Quarters

While Ayia and the other three girls were diligently exploring the ground floor of the inn, a separate team of four individuals was simultaneously undertaking a thorough investigation of the first floor. This group consisted of Kaori, Sam, Lauren, and Sayuri, the four women tasked with the critical mission of uncovering any hidden clues within this particular level of the establishment. To assist their search, an employee of the inn was also present, offering their knowledge of the premises.

Upon their arrival on the first floor, the team was immediately struck by an overwhelming abundance of art adorning the hallways. It was clear that considerable effort had been invested in the aesthetic appeal of this floor. The majority of the sturdy wooden pillars were not simply structural elements; they were transformed into works of art, intricately adorned with a diverse array of beautiful carvings. These weren't just simple etchings; imagine detailed scenes, stylized patterns, or even representations of local flora and fauna, all meticulously sculpted into the wood. Complementing these pillar carvings, the wooden walls themselves were canvases for artistic expression. They featured stunning paintings, some depicting vibrant landscapes or perhaps historical events, while others showcased exquisitely carved and painted murals. These murals, with their depth and artistry, added a significant layer of visual richness. In addition to these major artistic features, numerous other subtle details, like decorative moldings, inlaid designs, or even carefully crafted door frames, contributed to an overall atmosphere that made the inn feel exceptionally charming and beautiful, almost like a living gallery.

However, this artistic splendor, while undoubtedly impressive, presented a significant challenge for Kaori and her companions. The sheer volume and intricate nature of the artwork induced a feeling of overwhelm, bordering on a headache. The problem was that any of these decorative elements – a specific carved motif on a pillar, a hidden detail within a painting, a subtle variation in a mural's texture – could potentially be the very clue they were desperately searching for. The beauty of the inn, which would normally be a source of delight, now served as a potent distraction and a source of anxiety, as it significantly amplified the difficulty of their task.

"What do we do now?" Sam voiced the collective bewilderment, her gaze fixed on one particularly enormous carved mural that dominated a stretch of the wooden hallway wall. The sheer scale and complexity of this single piece of art, depicting what could be a sprawling narrative or a grand allegorical scene, seemed to encapsulate the daunting nature of their search. It was a masterpiece, but in their current predicament, it felt more like an impenetrable puzzle.

"Grandma Iko explained that the majority of the art pieces adorning the inn still carried the distinct mark of Woodwright's craftsmanship, dating back to his time here. While some individual paintings might have been added to the inn's decor *after* Woodwright had moved on, the most substantial and permanent artistic elements – the intricate murals, carved wooden fixtures, and other integrated decorative details – were undeniably his own creations." Kaori, processing this information, thoughtfully countered, "So, *technically*, to be absolutely thorough, we'd have to examine every single piece of art. But that seems incredibly time-consuming and might not be the most efficient approach. What if we instead focus our search on areas that were likely less visited and therefore potentially less disturbed over the years?" she proposed, her mind already strategizing.

Sayuri immediately agreed, her tone supportive, "We'll absolutely follow your lead, Kaori. You've got a good point." Lauren and Sam echoed her sentiment, chiming in with enthusiastic assent, "Me too!"

A subtle smile touched Kaori's lips, a sign of her satisfaction with their collective trust. Turning to Miss Yona, the inn staff employee who had been patiently waiting, Kaori said, "Miss Yona, could you please guide us to the north area of this floor?"

"Certainly," Yona replied, her voice polite and accommodating.

The instant Yona uttered those words, a silent understanding passed between Kaori, Sayuri, and Lauren. They immediately grasped Kaori's underlying strategy. They, too, had absorbed Grandma Iko's earlier explanation, and they recalled that the north section of the inn's first floor was precisely where Woodwright had resided during the years he spent living and working at the establishment! This area, therefore, was likely to hold the most authentic and untouched remnants of his artistic endeavors.

And Grandma Iko's ancestor, a man named Rai, who inherited the inn from Woodwright, was deeply respectful of his mentor's legacy. He deliberately preserved the very space where Woodwright had lived and worked, making sure not to alter its original state. Following Rai's passing, his descendants, the Hana Family, continued this tradition. They held their ancestors' wishes in high regard and, for generations, made virtually no significant changes to this particular section of the inn, honoring the spirit of its original design.

The *only* instance where modifications were deemed necessary was when the entire inn underwent a major renovation to incorporate modern infrastructure. This included the installation of essential contemporary systems for water supply, waste disposal, and electrical power. However, Woodwright himself was remarkably forward-thinking. He had the foresight to design and build the original inn with an extraordinary degree of wisdom, anticipating future needs. Crucially, he deliberately left ample, unoccupied space within the construction framework of the water and waste systems he had originally put in place. This was a deliberate design choice, not an oversight, ensuring that these vital systems could be expanded or upgraded in the future without requiring a complete demolition or alteration of the inn's core structure.

In simpler terms, when Woodwright initially constructed the inn, he wasn't just building for the present. He was also thinking about the future. He intentionally designed the building and its internal systems, particularly the water and waste networks, with extra room and structural allowance for future renovations and enhancements. This meant that the infrastructure he put in place was inherently adaptable to technological advancements.

Consequently, even though the inn underwent this extensive and significant renovation to modernize its facilities, the living quarters and workshop area that belonged to Woodwright himself, and were maintained by his successors, did not require drastic structural changes. The foresight in the original design allowed for the new systems to be integrated without disturbing the historical integrity of this specific part of the inn.

Furthermore, beyond the practicalities of the renovation, each innkeeper, from Rai onwards, demonstrated an exceptional level of dedication to this particular area. They made it a point to meticulously clean this part of the inn on a weekly basis. This was done with a sense of profound respect and historical mindfulness, even though the space was rarely, if ever, occupied by guests or even staff. It was a ritualistic act of care, ensuring that Woodwright's original living space remained pristine and untouched, a testament to their enduring reverence for the inn's visionary founder.

With the gentle and knowledgeable guidance of a staff employee, Kaori and the girls were led away from the bustling common areas of the inn, venturing into a section that felt palpably distinct. The air shifted, carrying a quieter hum, and the typical warmth of the inn gave way to a subtle coolness that hinted at something special.

Their journey culminated at a simple, yet sturdy wooden door. As they pushed it open and stepped across the threshold, a collective gasp escaped their lips, their eyes widening in utter astonishment at the breathtaking panorama that unfolded before them. This was no ordinary inn room; this was the northern wing, the very sanctuary where the renowned Woodwright resided, and it offered an absolutely astonishing, almost painterly, vista.

Stretching out before them, as far as the eye could discern, was a magnificent tapestry of nature. Jagged, majestic mountain peaks, their ancient faces etched with time, pierced the cerulean sky, their summits perhaps dusted with lingering snow even now. Nestled at their feet, a verdant, sprawling forest unfurled like a plush emerald carpet, its dense canopy a testament to years of untamed growth. Sunlight, filtering through the leaves, cast dappled patterns on the forest floor, creating an ever-shifting mosaic of light and shadow.

"Wow!" the girls chorused, their voices filled with genuine awe and wonder. The sheer scale and beauty of the natural world laid out before them was overwhelming, a stark contrast to the cozy, enclosed nature of the inn's interior.

"Now I truly understand why Woodwright chose to live on this particular side of the inn," Kaori mused, her gaze sweeping across the landscape. A soft, admiring expression settled upon her face, a silent acknowledgment of the profound connection between the artist and his environment. The raw, untamed beauty of the mountains and the vibrant life of the forest clearly resonated deeply with her.

"For an artistic soul like his," Sam commented, her voice tinged with understanding and appreciation, "this place must be nothing short of heaven. It's a constant source of inspiration, a living, breathing masterpiece unfolding just beyond his doorstep." She envisioned him, perhaps, standing at this very window, his mind brimming with ideas sparked by the grandeur of the mountains and the intricate details of the forest.

"Don't you girls think this is the perfect place to hide something?" Lauren asked with a smile.