MTL - From White Box To Supervision-Chapter 281 End of chapter 12

Indeed, what Kinoshita said goes to the core of the problem, that creation should be free.

But Zhang Beichuan knew in his heart that there is no real freedom in the market today, and the creation always has to consider the audience, whether it can make money back, or whether it can get money. It's tacky, but it's the essence.

If people want to live, they need money, and it is impossible to generate electricity by love.

The period when animations in the world achieved real creative freedom probably belonged to the period of the Shanghai Fine Arts Film Studio during the Huaxia period. That period was the top period of the Huaxia animation industry in the world, and even District 11 was incomparable at that time. The most important thing The reason is the free creative environment at that time.

Because at that time the production of animation was completely funded by the state and belonged to state-owned enterprises. What is the concept, that is to say, I can make whatever I want, without considering the budget, the audience, and half of the production without money, backed by the country, the subject matter In terms of talent, it is up to you to choose. In terms of talents, it has also absorbed talents from all over the country. You don’t need to worry about anything. You just need to create well, and you don’t need to worry about other things. So naughty.

The 106-minute production cost of "Havoc in Heaven" was more than one million yuan, which may not seem like much now, but it was in the early 1960s, and more than one million can be said to be quite a local tyrant.

It is precisely because of this only free creative environment that ink animation, paper-cut animation, puppet animation and hand-drawn animation tell the development of the top moments.

But it is a pity that success is also small and failure is also small. After the reform and opening up, the state's investment in art film studios has shrunk, allowing them to start to take care of their own profits and losses. Maybe the state protected them too well before, and the protection they were withdrawn all of a sudden instantly wiped them out. pressed down.

Coupled with the impact of the animation market in the 11th District of the United States at that time, and the reform of computer production technology, Meiying gradually declined.

At that time, animation in many countries outsourced work to Huaxia. Many painters found that outsourcing obviously made more money. Why didn't I accept outsourcing that was easier to earn money, but I must work hard to guard that little salary.

The market is very well protected by the state, therefore, accepting the impact of artistic animation in the United States and commercial animation in District 11, it suddenly became a mess.

Until now, the Shanghai Fine Arts Film Studio has completely declined, and even, to put it bluntly, is to live by the mountains and rivers that the predecessors have made, and it will not regain its former glory.

Zhang Beichuan also does not think that the so-called freedom of creation is like this, and it is impossible. Basically, he can create the subject matter he likes, and that's fine.

"Kinoshita-sensei, what plan is Musashino making now?" Zhang Beichuan asked curiously.

"Now, because the previous production of "Invasion, Squid Girl" did well, preparations for the second season have been completed, and it is now in production."

"Oh, so it is."

"That guy, Hayabusa Watanabe, is urging me every day?"

"What happened?" Zhang Beichuan asked curiously.

"My reason is that I am not satisfied with the storyboard planned in the early stage, so I have made a major revision."

At this time, Gong Senkui in the kitchen couldn't help laughing. Hearing this, Zhang Beichuan also smiled awkwardly.

"What's wrong?"

"As expected of a teacher, Beichuan, like you, always revises the storyboard halfway through, which makes the construction period very tight."

When Mu Xiacheng heard the words, he also laughed.

"Do you have any new plans for the direction?"

"Originally there was, but unfortunately it was robbed." Zhang Beichuan briefly explained, but unfortunately, there was no place where Muxia Chengyi could help.

......

I drank a lot in the evening, but Zhang Beichuan had a good alcohol intake, so he was not drunk, but Mr. Kinoshita blushed and fell asleep drunk. Zhang Beichuan put him on the bed, opened the gap in the window, and covered him with a quilt.

Another note was left on the table, and Zhang Beichuan and Miyamori Aoi left.

After returning home and taking a bath, Zhang Beichuan's drunkenness almost dissipated a lot. He thought about the new plan carefully.

A good original script is difficult to create. How can there be such a good script for Xinyi? He decided to start with a light modification or a random modification. If there is a possibility of encountering a good script, then he will read it.

On the Internet, with the passage of time, the final words of the twelfth chapter of "The Story of the Demon King in Another World" have been updated.

That is the final word, the big battle.

Because this sentence has foreshadowing, many fans are very much looking forward to it.

The single-player battle between Guxi Yuto and the villain, a duke, in the Forest of Fairies, the original painting here is assisted by Zhang Beichuan, and the original painting by Nakamura Feng as the main force.

The mutual assistance between the two has undoubtedly greatly improved the tension of the picture action.

The ability that Gu Xi Yongdou used at the beginning was the most common magic. In the final battle, in addition to melee combat, the use of magic was the most normal.

At the end, it was the magic confrontation~www.novelbuddy.com~ Then, with the passage of the camera, the square drawing method was used, and the decisive victory was Nakamura's black and white flash.

This is a way of expressing the original painting, highlighting the tension.

This kind of technique is not uncommon, but his black and white flashing is the best Zhang Beichuan has ever seen.

In Gu Xi Yongdou's signature explosion magic, the opponent was completely smashed into slag.

The original painting is full of tension, and the resulting effect can be called an explosion, which also draws a perfect end to the animation.

When the twelfth chapter was updated, the time period at this time was July, and many large-scale animations with luxurious IP lineups were also ushered in. However, "The Story of the Demon King in Another World", this June episode has suddenly emerged and ranked in the top of the list. number one on major websites.

Word of mouth is polarized. On the one hand, people think that the front is bad, and the back is bad.

On the other hand, people are attracted by the high quality of the animation behind and think it is a masterpiece.

Even some individual people are arguing on the Internet.

Having said that, it still can't stop the high popularity of this work. Seeing this popular Fujita Isato can't close his mouth, he invited Zhang Beichuan out for dinner that night.

"Haha, this project, supervised by Beichuan, is really good, and the quality is really amazing."

Zhang Beichuan is not interested in his flattery. If there is time for this flattery, he might as well go to work himself, but Zhang Beichuan, a man from Fujita Isamu, has a good view on him, because Zhang Beichuan raised a lot of opinions during the adaptation process. But they were all accepted by Fujita Isato.

"Now, let's look at the results of the CD. This popularity should be fine." Fujita Yuto laughed.

Zhang Beichuan was noncommittal.

Sometimes, high popularity is not necessarily good grades.