A Fully-Leveled Bigshot Builds a Farm with Her Family After Transmigrating - Chapter 61: do bad things without leaving a name

I’m not a gamer. In fact, I barely touched games—never had the time or interest.I’m a 23-year-old college dropout, part-time construction worker, and full-time avoider of adult responsibilities.That is, until my little sister nagged me into trying a romance simulation game called Echoes of the Crimson Throne.I played it. Liked it more than I expected. I even completed it.And the next thing I knew… I woke up inside the game.Not as the hero.Not even as a love interest.I was now the personal attendant of Alice Draken—the villainess, the Prince’s fiancée, and the iron-fisted Ruler of the North.A woman whose downfall was guaranteed... unless I do something about it.

The Empress does not grant my resignation.

Arthur is an Atelier who works under pressure. When the curse of the Succubus activates his Netori System, Arthur is unable to resist his desire to win a woman's loyalty. There is no other reason for him to test a woman's loyalty that is easily shaken when his Netori System is activated.

It all started when the protagonist downloaded a game called “The Fool (Beta Version),” marking a pivotal shift in the style of his life. This was no ordinary game; it lacked visuals and music, composed solely of lines of text and a multitude of choices. Yet, each decision within the game had the power to alter the player's destiny, for on the other side of the game lay a real, unknown world.Players were unable to physically enter this otherworld or see its landscapes, experiencing the alternate realm solely through text, vicariously living each step of their character's journey.As the game progressed, not only could rewards from the game materialize in the real world, but creatures from the game began to appear in reality as well.Then came the day the game was released for global public testing.An era quietly unfolded, where the masses embarked on explorations and treasure hunts in an alternate universe through 'textual adventure,' heralding a new chapter of engagement and discovery.