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Chapter 50Book 1: : A New Companion
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... saw before him. The strokes and subtle application of line and shadow, each accent and touch a study in technique-both effortless in their execution, yet perfect in style. The colors drew the eye here and there, a new shape for the imagination to take in before drawing them back to the overall piece and its true magnificence. Each time he looked upon his work he saw new aspects that he, himself, had never seen before. Perfection, and thus would go unappreciated by those who saw it only with the ...
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