Clan Immortal Cultivation: I Can See Hints - Chapter 22 - Trouble in Peach Blossom Valley

Betrayed by her boyfriend, Luo Yaoyao got herself drunk in a nightclub and mistook Yu Aotian, the powerful leader of Imperial Dragon Society in Japan, for a waiter.

She was brought to a room by him, but when he was going to force her, he saw a scar on her shoulder…It reminded him of a little girl in his old days…

After graduated, Luo Yaoyao returned to China and became an elevator lady in Bosch Group. However, she didn’t know the company was purchased by Yu Aotian.

The other day, she met him in the elevator and he recognized her…

He asked others to turn the camera off and kissed her although she kept screaming and struggling. At this moment, his phone rang and he had to let her go.

But they both knew it was not the ending…What would he do to her? And what happened in their past?

Everyone says he is an iceberg, but only Maya Spencer knows he is a volcano, and moreover, a volcano that is passionately unlimited for her, an indulgently pampering volcano.

The pessimistic and negative daughter of a concubine living in the ancient times thought – since life is so difficult, why should one invest serious effort in struggling to live?

The life of an ancient noble woman is often determined and controlled by her family. Moreover, one’s actions often implicate one’s entire family – thus, it is fairly common to see an unexpected calamity result in suffering borne by one’s whole family. Managing to live a good and successful life while retaining one’s dignity is simply too difficult to achieve.

Ah, living in the ancient times is simply too dangerous – we should all just sleep till we die.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.