I Am the Nanny of the Villain - Chapter 61:

Before dying, the blind beauty Xiangnu accidentally entered an infinite escape world.

One-eyed Wolf Lecan is a skilled adventurer who has conquered many dungeons all over the world. He had been going solo for a long time, but in the last three years, he’s had a partner. That partner jumps into the black hole together with Lecan, and both go their separate ways as they fall into another world. Dungeons and magical beasts also exist in that world. After learning the native language, Lecan goes on a journey. Meeting a good teacher, Lecan studies medicine making and magic under that teacher, and begins his dungeon explorations for real.

1
Ji Zheng penetrated into a danmei article, the protagonist attacked, loved and killed three million words, and he was just a ruthless and arrogant cannon fodder tyrant.
The tyrant is not easy to be, and it is difficult and tiring to be surrounded by tigers and wolves. At any rate, as long as the character is not broken and the tyrant plays the plot well, he can wait for the protagonist to rebel against the usurpation, and drive him out of power and seal him as an idle prince.
Ji Zheng rubbed his hands together, expressing that he was looking forward to retirement.
Seeing the protagonist attack the palace banquet to discuss matters.
The tyrant is secretly excited, yin and yang strangely: Oh? Your Majesty is hiding something from me.
I saw that the protagonist Qiu Hunting came out on top.
The tyrant greatly admired it, and sneered: “The lord is good at it, so let’s reward him with a white jade crown.”
2
Mingci Yue is the only prince in the dynasty, the emperor’s uncle with different surnames who is not related by blood.
The young emperor above the golden hall, with white skin and red lips covered by the robe of Zhu Gong, his face is gloomy, and he is as noble as a fairy. The more Mingci lowered his head, retracted his gaze, and pressed the unspeakable desire to the bottom of his eyes.
But suddenly I heard a naive voice, “The dragon chair is so awkward, my butt hurts, who will help me!”
“When do I get off work, the air is so quiet, no one hears my stomach growl…”
He looked up in surprise, and met the cold, frosty gaze.
This time, I heard the voice of my heart more clearly.
“The hat is so heavy, the neck is about to break, when will the prince usurp the throne, I can’t bear it for you!!”
Ming Ci’s lips curled more and more, he was a powerful minister of the wolf son, with great ambitions, so big… he wanted to pull the aloof emperor into his arms on the spot.

1. The acting school is really salted fish and a pseudo-tyrant is attacked by *paranoia, black belly, mind-reading emperor
2. Su Shuang has no logic due to the attributes of the heartthrob, and the dynasty is empty orz
3.1v1, he, 9/6
4. Attacking and receiving are not related by blood, not on a household registration book, focus on
5. Want to see the guide of the small theater of copywriting Chapter 25

Content tags: The court marquis has a soft spot, sweet text, wears books
Search keywords: Protagonist: Ji Zheng, Ming Ci Yue ┃ Supporting role: ┃ Others:
One sentence introduction: I can’t stand for the protagonist
Purpose: learn to think in a different position, be considerate of the other person’s mind, and cherish the other person and yourself in an appropriate way

- Description from novelbuddy

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.