I Turn Out to Be a Grand Master - Chapter 195 - Suspicious Tactics!

This book is about baby-making.

Ye Muyu, an elite of the modern company, got married and had children directly after time travel. She became the lady of an ancient scholar and the mother of two children, and she also found out that there was a “sister-in-law” who hated her very much.

Not only that, but there is also a ‘reborn’ female supporting role Tang Rou who covets her position everywhere.

Tang Rou: “Your position is mine, and I will be the first-rank madam in the future.”

Ye Muyu looked at the dark-faced man in front of him, and nodded calmly: “Okay.”

A certain man instantly protected Ye Moyu: “You It’s my wife, don’t even try to get rid of me, idlers, get out.”

The son hugged Ye Muyu’s thigh: “Go away, my mother is so nice, if you dare to bully her, I will bite you to death.”

The daughter held Ye Muyu’s arm Arm: “You are a bad person, my mother is the best mother in the world, if you dare to speak ill of my mother, I will report to the police.”

Seeing the happy family of ‘Ye Shi’, the reborn Tang Rou secretly hated her Grinding: It shouldn’t be like this, everything has changed!

- Description from novelbuddy

Tang Qiu was a substitute bride–forced to take her half-sister’s place and marry the young master of the Jiang family, a deformed cripple with less than 6 months left to live.

“Who would have thought that even a sickly whelp like Jiang Shaocheng would find himself a bride?”

“I hear that he’s practically on his deathbed and he’s only marrying the Fengs’ daughter to improve his lifespan.”

Tang Qiu ignored the whispers around her and focused on her husband-to-be, who coughed violently in his wheelchair. At the altar, after they had said their vows, she lifted her veil and knelt in front of Jiang Shaocheng, pressing a hesitant kiss to his lips.

The marriage contract was signed. No matter his physical deformities, he was now her husband.

She wasn’t afraid of the scars that marked his face, nor was she repulsed by him being confined to a wheelchair. Every morning, she made him breakfast, attended to his needs, and thought of little else beyond her duties as a wife.

“Young Master Jiang is a cripple who can’t get it up,” her best friend argued. “When he dies, you’ll still be untouched. You should set your sights higher.”

“A sickly invalid like Jiang Shaocheng can’t give you happiness,” her ex-boyfriend insisted. “I’ll wait for you.”

But Young Master Jiang only scoffed. “I have plenty of time left to be with her.”

Later in their marriage, Jiang Shaocheng wanted to enjoy his little wife in all ways–the press of her lips against his, the brush of skin on skin; the way a husband and wife were supposed to. But Tang Qiu refused him, blushing. “No, we can’t. The doctor says you can’t exert yourself.”

Jiang Shaocheng’s desire was surging through him, a heat in his core that demanded to be satiated. He cursed, I should have gotten rid of that doctor and the wheelchair long ago.

But he yearned to make love to his little wife, and so he revealed his true identity. In the blink of an eye, the deformed cripple transformed into a powerful businessman–tall, dark, and handsome. He quieted Tang Qiu’s protests, his body positioned over hers, his arms caging her as she lay on the bed. His voice was low when he asked, “What about now?”

George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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