I'm the Farmgirl You Can't Mess With - Chapter 44 - : Gift

While the blue light blossoms, the insignificant struggle at the bottom. He grasps the opportunity to change his fate and embarks on an unprecedented path…

“When I left you, it wasn’t because I was materialistic.”

“I know.”

“He doesn’t love me. I already broke up with him.”

“I know.”

“You knew? I didn’t know you were still so concerned about me…”

“I know because he and I are now a couple.”

This is a story about how a poor loser turned into a tall, handsome and rich guy and snatched his ex-girlfriend’s current boyfriend away.

- Description from Novelupdates

Naoki traveled to the Pokémon world to inherit a ranch, and gained the ability to use cooking to bring magical powers to Pokémon.

As a result, some strange changes occurred in the Pokémon in the ranch.

The big milk jug that can use [Super Roll] at 360 degrees without any blind angle, the motorcycle lizard that leaves afterimages everywhere it passes as fast as lightning, the twin-tailed super that can knock Kirby beasts away with one hammer Hercules the Forge…

——————

The wild trainer who learned the news came specially to challenge the practice.

Naoki: Has the challenger arrived?

Steward Rotom: Report to Lotto, he got into a fight with our milk cow Lotto.

- Description from novelbuddy

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.