I'm the Spider - Chapter 3: Fear of Skills

Plot Summary: This novel combines the popular “villainess” genre with the contemporary concept of VTubing, where the protagonist, a typical villainess character, becomes a VTuber—an online persona using a digital avatar. As she navigates her dual life, her influence extends beyond the virtual world, leading to increasingly violent and chaotic consequences in reality. The story delves into the psychological impact of living a double life and explores themes of power, manipulation, and the dark side of internet fame.Why Read It: The novel offers a fresh and thrilling take on the villainess trope by incorporating modern digital culture elements. It’s particularly appealing to readers who enjoy stories that explore the darker aspects of fame and influence, with a unique blend of fantasy and real-world issues. The narrative's intense and sometimes graphic nature sets it apart from more conventional stories in the genre, making it a compelling read for those looking for something different.

I’ve always dreamed of becoming a villainess, but I never thought that I would actually become one….!

This is the story of a young girl who aspires to become a villainous noble girl who’s capable of growing stronger through every confrontation that she is faced with.

Disclaimer: The main character’s standards for a villainess are a bit off.

Encountering a car crash, the King of Silver Screen, Ye Sinian, was bound to a Cannon Fodder Counterattack System.

After reincarnating for hundreds of lives, he has finally earned enough “travel expenses” to go back home.

However, he didn’t think that the system would suddenly malfunction, making returning back home from then on hopeless.

With the shackles of a millennium broken, Ye Sinian aggressively counterattacked!

Reversing fates while hugging the mentally ill* Lord Seme, he walked towards the apex of humanity!

*Mentally ill – Schizophrenic

- Description from Novelupdates

Lin Qing He transmigrated into a novel and became one of its cannon fodders. The novel’s background is non-viable 1960s, a time of want to eat but nothing to eat and want to wear but nothing to wear.