PREVIEW

... palette—

Pastel tones for lighthearted stories.

Deep blues and blacks for darker narratives.

Color was an extension of a film’s identity.

And in True Hero—

"The overall tone is dark... but police scenes have sunlight, while the protagonist snuffs out whatever light remains."

The contrast was deliberate.

Black and navy painted the hero’s silhouette,

accentuating his brutality.

The occasional crimson flashes weren’t his color ...

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