MTL - A Walk-on Actor Who Wants to Be A Baker - Chapter 29

The King of Hell sentences you to death by midnight, but I can ensure that you live past morning.

The young man, Qin Lang, received the inheritance of a poison school by chance. He uses poison to kill people, uses poison to save people and he uses poison to chase beauties. With body of ancient extinct poison and a body of a martial artist, he walks around the city, and wanders around in the underworld.

- Description from Novelupdates

Sometimes, as we go about with our lives, we all happen to think of one specific thought at least once.

A city of academies where high school girls converse with swords and spears in hand.A comedy character who loves macarons and a cup of tea.Becoming a pink-haired dummy in a mobile game, acting as the weakest character with the pretty filter in my mouth and body.Yet in my heart, a man’s fighting spirit still boils like lava.“What a cutie. Ohoho☆”

Abandoned at birth and raised in an orphanage, a young man endures twenty-five years confined to a body ravaged by a rare genetic disease that kept him in constant pain and left him bedridden in his final years. His life ends quietly, without fanfare, as the flatline echoes through his lonely room.But death isn’t the end.Awakening in a realm of pure nothingness, he’s offered the one thing life never gave him: a second chance, and with it, a system shaped from his deepest desires.Given the opportunity to be reborn with the potential to become the Greatest of All Time in any field, his decision is instant. He chooses Formula 1, the one passion that kept him going during his darkest hours.Armed with a custom-built system, a new life, and the relentless drive of someone who has truly suffered, he is reborn in 2003. This time, he won’t just watch from the sidelines.Disclaimer: All characters and events in this story are purely fictional and have no association with real individuals, organizations, or historical events. Any resemblance to real-life figures is purely coincidental and used for narrative realism.