PREVIEW

... everyone was busy going home to prepare dinner.

That night, a crescent moon hung quietly in the southwestern sky, and the cold moonlight poured down the earth, gloomy and bright, starry, scattered and scattered above the sky.

Quiet on the street, only a few households have lanterns at the door, adding a touch of light to the street. Every night, he dutifully beats the old man, always on time, and tells the people of Yizhou.

At night, quiet and serene, quiet and beautiful.

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“Can’t I properly read stallion novels anymore!”

Shen Yuan transmigrated into someone who’d tormented the young male lead almost to death, the scum villain Shen Qingqiu.

It must be known, the original Shen Qingqiu ended up being carved alive by his disciple, Luo Binghe, into a human stick, a human stick!

Ten thousand “fuck your moms” rampaged through Shen Qingqiu’s heart:

“It’s not that I don’t want to cling to the male lead’s thighs, but who made him so fucking black. The type who seeks thousand-fold retribution!”

Why have all the female lead’s scenes been forcibly given to him.

Why, as a scum villain, does he need to constantly sacrifice himself, blocking knife and gun for the protagonist!

Shen Qingqiu: “…I think I can still save him, one more time.”

A gong who starts as a loyal dog of a small white flower, and ends up as a blackened, mental case of a maiden X a refined scum villain of a tsukkomi-holic shou

This is actually a dogblood story about a master-disciple pair never doing honest work, fighting monsters, and engaging in romance.

It’s also a story where the villain personally witnesses how the male lead transforms from a little sheep of a white lotus into a dark tyrant O(∩_∩)O~

- Description from novelupdates

The Mysterious Art MuseumChapter 165: The Mysterious Art Museum
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Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.

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