MTL - I Don’t Want To Fight Anymore After Wearing An Outer Room - Chapter 481 ask

Keith, a regular office worker from Earth, suddenly transmigrates to the world of the novel he had been reading for the past decade. The new world, which was also called Earth, was slightly different. People with various powers existed who were called awakeners, making this world comparatively dangerous and also mysterious. While he was thrown into the novel’s world, he was also given a mystical ability to grant systems to other people. Armed with his special ability, he slowly climbs up the power ladder by taking “taxes” from the people he would give systems to. The only question that remained, was what would a realistic normal man, when faced with a similar minded protagonist, do when their goals opposed each other.

At a young age, I became a thousand-year-old bastard.

Ding! Congratulations to the host, you have obtained the phagocytosis synthesis evolution system.

An earth dragon was found in front, devouring synthetic evolution, the earth dragon tortoise.

From then on, my wonderful career began…

- Description from novelbuddy

Xiang Ye, who was working overtime and died suddenly, woke up and found that he had turned into an acre of land.

Just when he was at a loss, several big men carried a female corpse and buried it under him.

The accidental corpse dumping case made him uneasy, but then something even more shocking happened. The female corpse buried deep in the ground came to life on a certain moon hiding in the clouds at night…

“I don’t want to be a paradise, I want to be the most ferocious and most evil in this world.”

PS: It is probably the story of an acre of wasteland becoming a fine.

- Description from novelbuddy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.