MTL - Quick Transmigration System: Male Lead, Don’t Be Anxious! - Chapter 1288 Ugly Bird Becomes Phoenix [21]

After slumbering for years in the darkest pits of the abyss, Haruki Shin is awoken by the demon lord of lust. She tries to remind him of a contract he signed with her in exchange for the power that would help him exact his revenge in the mortal world.

However, who or what he wanted to get revenge on? He couldn’t remember. Replaced with a hazy mist, his memories had long since faded. But to the mistress of lust that didn’t matter as she forced him back into the mortal world with the demonic body of an incubus.

Feeling lost he’s forced to adhere to each of her commands, and despite his refusal, he can’t resist the binds of the contract. Eventually, however, as he learns more about his tragic past, and the existence of the lustful system he’s been blessed with for his revenge, his path to becoming a monster finally begins.

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Humanity has been gradually transported to the Abyss by a bored god to compete against other races and monsters.The problem is… humanity failed. In a last desperate push the strongest survivors chose a comrade to travel as far as possible back in time.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.