MTL - Venerated Venomous Consort - Chapter 3031 You have been calculating me...

Light and darkness are twins, blessings and curses coexist.Oh girl who stands upon the stage of destiny,May your path ahead be filled with blessings.------------Anko Probabilistic Narrative Writings：It's like telling stories by rolling dice. Just as many games offer various action and dialogue options that lead to different branching storylines, this book creates characters, advances the plot and builds the world view by providing a large number of different branches and using dice rolls to determine the outcome.

Lu Chen woke up to find himself participating in a live-streamed creative competition show!Contestants were tasked with creating works based on themes given by the show.When the theme ‘Countryside’ was announced, other participants quickly began crafting heartwarming rural stories, tales of pastoral love, and picturesque depictions of harmony and simplicity.Lu Chen decided to take the road less traveled—he wanted to blow the audience away!He chose ‘Operation Icebreaker’ as his inspiration.At first, the audience thought they were getting a story about rural development. But as the plot unfolded, something felt… off.A village of 20,000 people, every household with the same type of large pot, and a full-scale drug production operation?The internet exploded.[Countryside theme, and you’re writing about a drug-making village getting rich together?]The producers were in chaos.We said countryside! What’s this Taizhai nonsense?Lu Chen, unfazed, replied, “Director, rural anti-drug campaigns are a countryside theme. Now, are we sticking to the theme or not?”And thus, the Master of Sticking to the Theme was born.Given the theme Fishmonger, he wrote The Legend of Gao Qiqiang.

(following the boat) When a person who can get random superpowers every day enters the world of pirates and joins the protagonist group, what will happen as a result?

Luffy: “Si Guoyi! Lin Bei, let’s jump from the sky again!” Kebi: “Please don’t!” Sauron: “Be sure to leave Lin Bei’s room at twelve o’clock every day!”

Nami: “This bastard, just let me…” Akainu Sakasaki: “Bastard Lin Bei, turn me back into a man!

The old lady used her ability to come to her aunt once! “Big” boys, come and meet your father! “Lin Bei:!!! This really doesn’t exist!!!

- Description from novelbuddy

Guzi transmigrated into a novel and became a character in a story about a true and false rich heiress.While others who transmigrated into novels become the true heiress, she became the fake heiress. To make matters worse, both she and the true heiress are engaged.She was engaged to the son of a military leader, while the true heiress was engaged to a divorced man with three children from his previous marriage.Guzi's parents, caring for the true heiress, decide to have Guzi marry in her place. In the book, the character “Guzi” was furious and attempted suicide but failed.As a result, she lost the love and favor of her parents. After marrying the divorced man,“Guzi” blamed him for all the wrongdoings and mistreated his children. Eventually, he could no longer tolerate her actions and divorced her. “Guzi” would become a destitute beggar and die miserably on the street.After transmigrating into the book, Guzi left her family and married the divorced man. When she faced the man and his three children, Guzi believed that the original owner of her body made a terrible mistake.This was a painless experience of being a mother without any hardships to endure!On the other hand, the true heiress had to deal with her husband's illegitimate child and fight for family assets. She would lead a daily life full of hardships.The true heiress consoled herself, thinking that she was still better off than Guzi. She had to raise someone else's child and care for an old man.However, one day she sees Guzi stepping out of a luxurious car with a protruding belly, supported by the richest man in the city.Looking aggrieved, Guzi got out of the car and said, “We agreed not to have children!”The man beside her responded tenderly, “Sorry, my mistake.”