Sensational! Fake Noble VS Real Genius - Chapter 14 - That’s My Master Zhi

Noir, third son of a “beggar noble,” lost his job and was at a loss, but fortune struck just as he was contemplating becoming an adventurer.

in 1989.

Japan’s economic bubble is about to burst.

His adoptive father died in a car accident, and in front of him was a billionaire fortune and Yakuza death threats.

Get away from the family name and escape, or stay to protect this family that has no blood and no emotional ties?

hateful!

As a peerless raptor, how can I not take my due responsibilities.

Don’t worry, adoptive father, I will take good care of my adoptive mother and Qianxue. Anyone who dares to hurt them, please hack me to death first…

Fiancee: “Baka! Very much! Sinai!”

Ikeda Sakurako: “Kuzu, what about Nishi!”

Yasuko Sawaguchi: “How can you repair, ki mo chi wa ru, si ne!”

Sen Gao Qianli: “…”

(This is an urban daily life business article, taking you through the ebb and flow of Japan’s economy in the bubble era. This book has no system. If you like it, please support it a lot.)

- Description from novelbuddy

“Welcome to the Punishment Zone, scums.”

“Please tear the masks of pseudo-gods into pieces here.”

“However, you must remember—the time for slaughter takes place only after sunset.”

- Description from Novelupdates

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.