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... t Wukong, his two brothers, along with a surviving subordinate of the Jiao Demon King, had sailed their ship into the midst of Beiming, which is the furthest reaches of the North Sea. Mystical and unfathomable, Beiming is rumored to be the birthplace of the Kunpeng, and since ancient times, like the South Sea Ruins, it has been regarded as one of the perilous existences in this Saha World.

With the God-Beating Whip and the lanterns protecting the battleship, they moved slowly through the ...

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Time travel to the Xianxia game.

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The Earth of the future is united under a single government, but not all things are well. The shape of the playing field may be changed, but the powerful still rule the weak.And those who do not conform with the rest of society are exiled to another world. A world that not even the technology of the future managed to tame.It should have been humanity's New World but ended up as nothing more than a penal colony. A place where the exiled are sent to die.Motivated by revenge, Magnus sets out on a quest to bring his own justice to his enemies. For that purpose, he is willing to go further than most others.But then he learns that if he truly wishes to change things, he can only find his answers beyond the gate.Having lived most of her life as an exile, Astra is a woman of few interests aside from survival and climbing the ranks of her clan.To achieve those goals, she certainly won't be squeamish when a chance literally falls into her lap, or will she?———————————————————————————————I am trying to go with a survival/“no modern tech” setting in this one. People from a technologically advanced society are thrown into a world where they can't maintain their tech. They are forced to rely on what the world provides where they have to make do with the limited resources they have and what little of their old technology is still working. Their gene manipulation allows them to have something akin to superpowers, but that doesn't help much against the monsters of their new world. Not sure yet whether sufficiently advanced technology will be discovered later on to count as magic.It turns more political between the various clans later on.

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Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.