The Forsaken King - Chapter 35: The Making of a King

For his sake, she was willing to abandon her career as the best actress and be his wife. With her own network, money and unscrupulous methods, she helped him rise to the top of the world. He, on the other hand, held another woman in his embrace and kicked her away with no mercy. It turned out that all he ever wanted was her rare blood type, her six-month-old child’s cord blood. It was her life… When she opened her eyes again, she returned to her 20-year-old self. Time repeated and her life rewound. In this life, she would live well.

The tens of thousands of universes have merged. The disintegration of spiritual force led to the momentous collapse of the great Cultivation World, a mighty era that had endured through millions of years of history. In the wake of the large-scale invasion of the Wilderness, the Avalon of Five Elements has become the practitioners’ last stand.

In a world where most wolves her age have already found their mates and embraced their destined roles, one she-wolf remains unmated—not out of bitterness, but because a deeper calling stirs within her. Haunted by a vivid dream that feels more like a prophecy than a passing vision, she begins to question whether her life was meant for more than becoming someone’s Luna. As her family pleads for caution, she stands at a crossroads: remain in the safety of the familiar, or follow the pull of fate into the unknown, where purpose, danger, and destiny await.

George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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