PREVIEW

... s on Dide's part. It was just that the enemy was faster, stronger, and wiser. Dide was the one who held a powerful weapon in a favorable position.

In past wars, Loom clearly marked the conclusion of the war. It was a symbol of the end—no, the word ‘symbol’ didn’t begin to cover it; Loom was the end itself.

Dide reflected for a moment in the depths of Loom. The Lizardman was bound to come down here, and then he would destroy Loom's factory and the control room. Then Loom would be ...

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What is the experience like after transmigrating into the novel’s foreordained miserable cannon fodder?

Su Zui, who had only ever treated other people as cannon fodder, expresses——

Your father is still your father.

Winning just by laying down, system silently gave his family’s host a call: Papa 666.

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System: ???

Even though the roles assigned are all definitely touching and inevitably miserable cannon fodder, this does not hinder Su Zui’s path on oppressing main leads to the point they question their life.

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Ysavel, an aspiring writer, wakes up one day inside the world of her own novel. She thought it's those typical transmigration story she have read. However, she was shock when she discovers that she's been cast as the villainess in her own story.

“DON'T TELL ME I BECOME THE VILLAINESS OF MY OWN STORY?!”

Shocked and dismayed, she realizes that the only way to return to the real world is to live out her role in the story. Initially, she accepts this fate, but things take an unexpected turn when the characters start deviating from the script.

“I don't want another Queen. Youare the only one I want as my Queen, Csille.” Prince Fraser whispered.

The male lead, who was expected to be annoyed by her constant pestering, instead becomes affectionate and attached to her.

“It's inevitable, Lady Lauretré. You will still be the Queen, so I don't see any harm in what I said. Besides, I doubt the King or even the Crown Prince would be willing to change their minds about your engagement.”

The female lead, who was supposed to separate the male lead from her, begins to play matchmaker between the male lead and the villainess.

What should she do? She couldn't get back to the real world if she didn't finished the story as the villainess. But how can she finished it if the two leads are not following the script? Help!!!

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The older sister flees from her wedding to be with her lover, and her younger sister is forced to take her place in marrying a very powerful man.

As luck would have it, she ends up transmigrating into the body of that younger sister.

Although the man that she weds is very powerful, he’s the irredeemable final villain.

All villains are doomed to a bleak ending. And, as this villain’s wife, she’s afraid that her ending won’t be good either.

Fortunately, the older sister had gone back in time after having experienced a lifetime of suffering. This prodigal daughter returns to the turning point of her life. Pointing at her younger sister, she demands for her younger sister to hand over her husband.

Looking at this beautifully crying older sister, Ye Zhen swiftly yields and says, “Older sister, don’t worry. I haven’t even done anything with brother-in-law!”

To her shock, she later discovers that she’s pregnant.

With tears in her eyes, her older sister says, “Didn’t you say that nothing happened between the two of you?”

Ye Zhen looks at the great villain that doggedly pursues her. She is utterly and totally doomed.

There’s a great villain lying next to her, and she’s pregnant with a mini villain. How’s she suppose to survive?!

Later on, as Ye Zhen watches the great villain putting the baby down and changing the diaper, she sighs. “There’s nothing that can be done. I’ve already missed the golden opportunity to turn things around. How can I leave now?”

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