The Strongest Student of the Weakest Academy - Chapter 155: Silverleaf Academy (3)

One will to create oceans. One will to summon the mulberry fields.

The gods visit my shop. I travel across countless worlds with them. But then… “This is my sword, the Heavenly Tyrant Blade.” “This is the Ruyi Jingu Bang.” “This is the lightning spear I once wielded.” Their payments are… peculiar.

“What those edited and conceptualized main characters call ultimate and full power is but a grain of sand under the steps of my weakest subordinates.” Quote from Patrick.

Patrick, a regular arrogant kid with extremely attractive looks and a high IQ, lived in the alternate version of Earth. But in this alternate Earth, there were awakened humans who possessed abilities beyond the scope of human knowledge. Yet, despite living in an awakened world, Patrick didn't awaken any ability.

But just when he was annoyed with his unawakened life, he acquired an unknown entity called a system. With that, it opened a gateway of infinite possibilities that caused the existence of the story “GOD OF ALL SYSTEMS.”

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.