Thriving in the Beast World - Chapter 14 - : The Astonished Old Nike

At first, when he learned that he was forced to go to many different routine worlds and be reborn into all kinds of cannon fodder, he was against it.

Because villains usually all only have a moment of satisfaction, the endings of cannon fodder are also frequently quite miserable.

But the man who gave him the system told him that this system not only has all types of powerful functions, but he can also break the routine lives of the cannon fodder. If he achieves this satisfactorily for each world, he can even become a god.

He’s already experienced over a thousand reincarnations, but hasn’t yet been a god. Since it sounds pretty great, why not just try it out.

From that moment on, he began the irreversible path of tyrannically oppressing people, while conveniently tearing open those white moonlights and so-called righteous people’s hypocritical masks.

His goal: wearing the villain’s role to walk other people’s righteous paths, leaving them no path to follow.

- Description from novelupdates

I can see ghosts.Even the ghosts inside games.But then…”Ah! Not there, over that way! My family heirloom is hidden there.”The ghosts in the game keep revealing hidden pieces to me.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.

The Empress does not grant my resignation.