Victor of Tucson - Chapter 21Book 6: : A Ghostly Gambit

In this period where countless supporting lead actors always attempt to counterattack, turn over a new leaf or simply refuse to take up the role, his purpose of existing is to fill the role of a good supporting male lead and uphold his duty to the best of his ability. To add the needed lustre to storylines and this world. Only, it’s a pity that someone who is not afraid of god-like enemies will be afraid of pig-like teammates.

Bitterly, he realises that for some unfathomable reason, he is being bothered time and again by a bastard who refuses to follow the script… In order to walk the path of a good supporting male lead, he engages in a battle of wits and courage with that person. Loving each other and killing each other, one ultimately cannot escape fate’s teasing– why is it so difficult wanting to be a responsible and diligent supporting male lead?! QAQ

- Description from novelupdates

At 79, Adom is an old mage who has known nothing but illness and regret. When the world finally burns and all hope turns to ash, at the last beat of his fading heart, a mysterious being appears in the dimming light with a simple question:“If you could try again, would you?”What's left to lose when you've already lost everything?A handshake seals the deal, and Adom wakes up on his old school grounds, sixty-seven years in the past. When everything is still possible. A second chance with all his knowledge intact, his memories preserved, and his youth restored.This time, Adom wants it all: to feast on food he's never had, to travel a world still full of wonder, to finally live the life he dreamed of. There's just, as always, one small catch—he needs to prevent the end of the world first.But as Adom will soon discover, changing history might demand sacrifices even greater than watching it burn...

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.

I found myself inside the game I used to enjoy.But something feels off.