When Immortal Ascension Fails Time Travel to Try Again - Story 7 - To Kill Demonic Vines (17?)

This is the story of a graduate student majoring in ancient Chinese who was repeatedly ravaged on the way to employment. He returned to the middle of the Ming Dynasty and entered the body of a young child in a mountain village.

The dull father and the pungent mother, Yishui’s best relatives, have a lot of troubles in the small farmyard. Fortunately, we have thousands of years of historical accumulation, four books, five classics, stereotyped essays, and professional counterparts.

The national power rises vertically and governs;

  Legal discipline is loose, official discipline is lax;

There are a few treacherous ministers, and some Japanese pirates;

But generally speaking, it can be said that this is a fertile ground for the free breeding of scholar-bureaucrats.

A legend of the rise of a poor family grew from here.

I would like to pay tribute to all time-traveling classics with this article.

PS: Rise of the poor family book friend group: 219,803,021; Rise of the poor family full subscription group: 254,292,459 Welcome everyone to join the group and communicate with each other, and welcome everyone to communicate with me.

- Description from novelbuddy

Crying blood and tears, she pledged a poisonous vow. The gods did not fail her. She was sent back to a decade ago. The legitimate daughter of Jiang family returned from hell.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.

[*Ding*