World’s Best Martial Artist - Chapter 1344 - -trivial matters

Dual cultivation and apocalypse—words that mix like oil and water. There's nothing charming about seducing feral women on the road.

However, when Kaze Lexicon, the emperor of the Immortal Plane, got transmigrated into the past, he refused to give up his debaucherous ways—apocalypse or otherwise.

Armed with the knowledge of the future and an encyclopedia of overpowered cultivation techniques, he immediately set forth to obtain resources and build a lavish settlement to live a comfortable life dual cultivating in the apocalypse.

However, while it's obscenely protected and powerful, he finds himself in another predicament. The cultivators farming humans for their war, and the desperate humans, become enemies far more dangerous than the zombies and monsters that afflict humanity.

Join Kaze as he rebuilds his reputation from a bullied weeb, obtains wealth, builds power, starts a faction, makes lemonade, trains his people, protects his past lovers, conquers settlements, and fights humans, monsters, and cultivators, all for the sake of two obscene goals: enjoying life and building an army of engineers to bring modern technology to the higher planes.

Zac was alone in the middle of the forest when the world changed.

The whole planet was introduced to the multiverse by an unfeeling System... or God. A universe where an endless number of races and civilizations fought for power and dominion. Zac finds himself stuck in the wilderness surrounded by deadly beasts, demons, and worse. Alone, lost and without answers, he must find the means to survive and get stronger in this new cut-throat reality.

With only a ha

Xin Xiu exclaimed, “Master is a panda!”

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.