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Tycoon Actor in Hollywood-Chapter 372: The Joker
Chapter 372 - The Joker
The internet was ablaze with heated debates as fans eagerly anticipated both the upcoming "Joker" film and "Avengers: Age of Ultron". Nowhere was this more evident than on Reddit, where Marvel and DC enthusiasts clashed in epic verbal battles.
On r/comicbookmovies, a thread titled "Joker vs Age of Ultron: Which will reign supreme?" quickly became a hotbed of controversy.
User DCKnight88 fired the first shot:
"Calling it now: Age of Ultron is going to be a mess. That trailer is a red flag - too many characters crammed into one movie. It'll be another 'Spider-Man 3' situation where they tried to juggle too many plotlines and failed miserably."
The response was swift and fierce. MarvelMania replied:
"Are you kidding me? The Russo brothers proved they could handle multiple characters beautifully in Winter Soldier. Plus, Whedon's back at the helm. This isn't some amateur hour DC flick."
Another user, BatmansBestFan, chimed in:
"At least DC is trying something different with Joker. How many times can we watch the Avengers smash aliens? Yawn."
This sparked a sub-thread debating the merits of standalone character studies versus ensemble blockbusters:
IronFanForever: "Sure, character studies are great, but let's be real - nothing beats seeing all your favorite heroes team up on the big screen. Age of Ultron is going to be epic!"
GothamGirl: "Epic doesn't always mean good. I'd rather watch a deep dive into one complex character than a CGI-fest any day."
The debate raged on, with fans on both sides pulling out examples to support their arguments:
"Remember 'Batman & Robin'? That's what happens when you try to cram too many characters and plotlines into one movie," argued TheDarkKnightRises.
"Oh please," retorted CaptainAmerica666: "The MCU has been building to this. It's all connected. You can't compare it to random standalone films."
As the thread grew, moderators struggled to keep things civil. Amidst the chaos, one user, ComicBookSage, attempted to bring some balance:
"Guys, why don't we just wait and see both movies before declaring a winner? They're trying to do completely different things. It's like comparing apples and oranges."
But their voice of reason was quickly drowned out as the Marvel vs DC debate raged on, a microcosm of the larger anticipation building across the internet for these two highly anticipated films.
***
The unexpected face-off between "Avengers: Age of Ultron" and "Joker" caught Disney and Marvel off guard. They hadn't anticipated Lucas Knight's Joker being a serious contender, but they weren't about to cede any ground in the upcoming box office battle.
Disney, with its marketing machine firing on all cylinders, rolled out a meticulously planned campaign for "Age of Ultron". From cleverly timed trailer releases to strategic merchandise partnerships, they left no stone unturned. Social media buzzed with each new tidbit, and fan theories multiplied exponentially.
"Have you seen the new Age of Ultron TV spot?" fans exclaimed across platforms. "That Hulkbuster scene looks insane!"
Warner Bros., while not matching Disney's marketing budget, saw an opportunity. They positioned "Joker" as the gritty, cerebral alternative to Marvel's CGI spectacle. Cryptic posters of Lucas Knight's haunting Joker smile began appearing in major cities, sparking curiosity and debate.
"Is it just me, or is that Joker poster way creepier than any Marvel villain?" one Twitter user mused, unknowingly playing right into Warner Bros.' strategy.
In a bold move, Warner Bros. announced "Joker" would premiere the same weekend as "Age of Ultron". Industry insiders were stunned.
As the release dates for both films approached, industry insiders weighed in on Warner Bros.' bold strategy. Renowned box office analyst took to Twitter, offering his take:
"Warner's either crazy or brilliant with Joker. They're using Marvel's own hype to boost their profile. High risk, high reward play. #BoxOfficeShowdown"
On April 13, 2015, the Dolby Theatre in Hollywood rolled out the red carpet for the world premiere of "Avengers: Age of Ultron". The star-studded event drew throngs of excited fans, all eager to catch a glimpse of their favorite superheroes.
Robert Downey Jr., Chris Hemsworth, Scarlett Johansson, and Chris Evans led the parade of celebrities, their arrival met with deafening cheers. Mark Ruffalo, Jeremy Renner, and Elizabeth Olsen followed, completing the ensemble cast. The atmosphere was electric, with fans and press alike buzzing with anticipation.
As the lights dimmed in the theater, a hush fell over the audience. The opening scenes were met with gasps and cheers, the crowd fully engaged in the spectacle unfolding before them.
However, as the film progressed, a subtle shift occurred. The initial excitement gave way to a more muted response. By the time the credits rolled, the audience's reaction was noticeably subdued. While there was polite applause, it lacked the enthusiasm that had greeted the film's opening.
Outside the theater, critics and fans alike struggled to articulate their feelings. Many seemed conflicted, caught between their love for the characters and a nagging sense of disappointment.
Renowned film critic A.O. Scott of The New York Times jotted down his initial thoughts:
"Age of Ultron suffers from an excess of everything - too many characters, too many plot threads, too much CGI. What should have been a triumphant sequel feels bloated and unfocused. The heart that made the first Avengers so captivating is lost in a cacophony of explosions and quips."
As word of the mixed reception spread, all eyes turned to the upcoming "Joker" premiere.
On April 14, 2015, barely 24 hours after the "Age of Ultron" premiere, the Dolby Theatre in Hollywood once again buzzed with anticipation. This time, it was for the premiere of "Joker", and the atmosphere crackled with a different kind of energy - darker, more intense.
The crowd outside was a sea of excited faces, many sporting green hair or white face paint in homage to the iconic villain. They weren't just comic book fans; a large contingent of Lucas Knight devotees had shown up in force, their excitement palpable.
A sleek black car pulled up, and the crowd's murmur turned into a roar. Lucas Knight emerged, looking dapper in a deep purple suit that subtly nodded to his on-screen character. But it was his companion that sent the fans into a frenzy - Jennifer Lawrence, stunning in a silver gown, stepped out beside him.
"Oh my god, it's Jennifer too!" a fan screamed, her voice barely audible over the cacophony.
Lucas and Jennifer waved to the crowd, their smiles dazzling under the flashing cameras. They started to move towards the barricades, but security quickly intervened.
"Mr. Knight, Ms. Lawrence, please proceed to the carpet," a burly security guard urged, eyeing the surging crowd warily. "It's not safe to approach."
The pair nodded, blowing kisses to their fans as they were ushered onto the red carpet. The disappointment in the crowd was fleeting, quickly replaced by excitement as they watched their idols pose for photos and give interviews.
Inside the theater, the atmosphere was electric. Fans, critics, and industry insiders filed in, their conversations a mix of excitement and speculation.
"I heard Lucas went full method for this role," one attendee whispered.
"After Ultron yesterday, I'm ready for something different," another replied.
As the lights dimmed, a hush fell over the audience. The Warner Bros. logo appeared on screen, and the crowd held its collective breath, ready to be introduced to Lucas Knight's Joker.
Most of the crowd had shown up just to see Lucas Knight do his thing. They didn't really care if the story was any good or made sense - they were here for Lucas and his take on the Joker. That was enough for them.
It wasn't a secret that Lucas had become America's golden boy of acting, right up there with the likes of Daniel Day Lewis. The guy could do no wrong in their eyes.
Lucas's fans packed the theater, ready to cheer on their idol no matter what. But man, were they in for a shock when the movie kicked off.
Right from the get-go, they're hit with Arthur, this sad sack of a clown, getting the crap kicked out of him by a bunch of punk kids. Talk about a downer opening.
The whole thing was dark and brutal, and it caught everyone off guard. You could hear a pin drop in that theater. Some of Lucas's fangirls were already tearing up, watching their beloved actor get beaten down as this pathetic Arthur character.
The audience expected a fictional DC world, naturally assuming there'd be fantastical powers, even knowing the film would be dark and gritty. But the movie turned out to be far darker than anyone anticipated. More than that, it felt uncomfortably real, tackling sensitive topics like mental health and life's harsh realities.
There's Arthur, struggling with his mental health, and nobody's giving him a hand. It's not just sad for him - it's a gut punch 'cause they know this stuff happens for real out there.
Even the normal scenes hit hard. No flashy Marvel-style action, just Arthur on a bus, trying to make a kid smile. But when he gets shut down, man, the look on his face - you can feel the embarrassment and awkwardness oozing off the screen. Nobody's laughing. They're just feeling sorry for the guy.
Lucas is knocking it out of the park with his acting. Somehow, he's making everyone in the audience feel like they get Arthur, like they've been there. When he starts laughing on the bus and can't stop, trying to explain with that card about his condition - it's rough to watch.
And the way that mom looks at him, all annoyed and pulling her kid closer like Arthur's some kind of freak? That scene's got the whole audience feeling like they've been punched in the gut. One critic's trying not to cry, gulping hard to keep it together.
People are starting to wonder - is this even a Joker movie anymore? Or is it just watching some poor guy with mental health issues trying to survive in a world that doesn't give a damn?
It's heavy stuff, and it's got everyone in that theater questioning what they thought they knew about comic book movies.
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