Ashes of the Elite - Chapter 57: Station Theater

Wen Ran was a winner in life. She had a good background, was beautiful, and had a young fairy as her fiancé. After living in this world for many years, she remembered that she was wearing a book.

She is the male protagonist’s fiancee and the male protagonist’s Bai Yueguang. Even when she and another person were caught by the devil in Juyuan Valley, they faced a life-and-death crisis. The male protagonist was forced to choose one of the two, and Wen Ran became the one who survived. man, while the other fell into the abyss.

The wind on the top of the cliff was strong that day, which reminded Wen Ran a lot.

After that person “dies”, the male protagonist will know that the person who saved him in the past is not Wen Ran, and he will also realize that the person he loves is not Wen Ran. The one he gave up with his own hands.

The male protagonist is suffering and blackened, and he is about to start the script of chasing his wife crematorium.

Wen Ran, who knew she was a female supporting role, felt that she was finished!

However, on the Juyuan Valley, Wen Ran saw with his own eyes the usual self-restraining and returning to the ritual, when the indifferent young Xianjun faced the situation of choosing one of two, he directly raised his foot and kicked the man down the abyss .

Afterwards, he looked at her with a smile, “You don’t remember what I just did, do you?”

Wen Ran: “…”

what happened?

How did the character of the male protagonist collapse!

A long, long time later.

While poking her in the face, he asked her curiously, “Does the meaning of chasing the wife’s crematorium mean that you will be thrown into the fire first, and then I will chase you in the fire?”

Facing his eager eyes, Wen Ran fell into a long silence.

- Description from novelbuddy

After an accident leaves him hospitalized, Mr. Yu awakens to an environment where pleasure and power flow unchecked. The hospital transforms into a stage for relentless sexual encounters nurses, patients, and even visitors engage in acts that dissolve the lines between caregiver and lover. Mr. Yu, both participant and object of others' desires, quickly becomes central to an unfolding erotic drama. The cast includes assertive nurses like Qianqian and Yunxin, whose care crosses into sexual service, a fellow patient eager to join in, and a revolving door of visitors whose own needs intertwine with Yu's recovery.The narrative expands to Mr. Yu’s life as a high school teacher. His homeroom class, especially the charming and voluptuous Lin Keke, develops cult-like devotion. Here, “consent” is reimagined through the lens of local customs and laws, and students openly form sexual, emotional, and ritualistic bonds with teachers and classmates. Lin Keke’s quest to become Mr. Yu’s sex slave supported by her similarly uninhibited family provides both tenderness and transgression, with familial relations redefined around sexual and submissive acts.Throughout, the protagonist grapples with societal expectations, guilt, and temptation, all while cultivating close ties sexual, emotional, and psychological to those around him. The world is painted as an alternate reality where sexual agency, devotion, and hierarchy coexist, but ordinary norms are replaced by personal rituals and acts of submission, love, and erotic exchange. Explicitly exploring taboo themes through detailed character actions and thoughts, the novel unfolds as an uncensored fantasy of intimacy, dominance, and vulnerability.NTR, Netorare, Adultery, Group Sex, BDSM, Humiliation, Sex Slave, Sex Toys, Incest, MTR, Married, Cheating Mother, Seduction, Objectification, Infidelity, Domination, Sexual corruption, Free Use

Let her shout out: “Oh handsome and sweet-talking Tokyo gentleman, I must have you. You are mine!”This is the story of how a boy from Iwate Prefecture became a Tokyo gentleman.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.